Kaitlin Gould is an actor, aerialist/mover, and creator of various mediums (theatre, film, choreography, and writing). She received her MFA in Acting (International) from East 15 Acting School in London. She is a Kansas City native, and has her BFA in Acting, and Design and Technical Theatre from Avila University in South KCMO. Kaitlin has worked with industry professionals and acted on stages in the US and Europe, including the Arcola Theatre and Tristan Bates Theatre in London, Edinburgh Fringe Festival, a two week residencies at Shakespeare's Globe in the UK, and GITIS (Russian Academy of Theatre Arts) in Moscow. In addition to acting, she also has an eclectic background in devising, writing, aerial training and movement work, composing and playing music, and theatre design.
Some past career highlights include: originating Anne of Cleves in the world premiere of Ladies in Waiting: The Judgment of Henry VIII at Edinburgh Fringe Festival; the indie feature Those of Us Left Behind with Walter Bros Pictures; multiple collaborations with Wide Awake Films, including the Escape of John Doy, which is streaming on CuriosityStream; her various regional premieres including: Ellen Clarke in the Belfast Girls by Jackie McCarrick (Fishtank Theatre, dir. Heidi Van), and Robot in Lindsay Adam's Her Own Devices (Kansas City Public Theatre, dir. Elizabeth Bettendorf Bowman); and being part of the ensemble of the devised Butoh show Scream in Blue (dir. Logan Black, Kansas City Fringe Festival). In NYC, she has performed at the following venues: The Tank, Bechdel Project, Access Theatre, Episcopal Actor's Guild, The Muse, CirqueHaus, House of Yes, STREB, The Deep End, and
She also continues to write and producer her own work, including her play Mirrors, which has had several staged workshop productions including with NY Theatre Festival and Kansas City Public Theatre, and was nominated for The Pitch's Best of Kansas City 2020. Her short film Expectations was selected for various festivals, won Best Cinematography with Toronto Feedback Female Film Festival. And, she created, choreographed, and filmed her own aerial silks act, Season 2: Episode 3, which has also screened at select film festivals, including the New Ohio Theatre's NYC Indie Theatre Film Festival (where Expectations screened the following year).
Her movement training includes biomechanics, Laban, and Alexander Technique methods (AT Motion, Holly Cinnamon). At East 15, she trained with Tracy Collier and Marcin Rudy; and, since devising Scream in Blue at KC Fringe Festival, she has started exploring the world of Butoh dance (Logan Black, Vangeline Theater). She currently trains aerial silks and circus arts at Aerial Arts NYC, OM Factory and CirqueHaus. In Kansas City, she trains with Kelsey Aicher and Circus Scorpius (Great Plains Circus Center).
She is represented for film, commercial, and print in the Kansas City region by Exposure Model and Talent.
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Some past career highlights include: originating Anne of Cleves in the world premiere of Ladies in Waiting: The Judgment of Henry VIII at Edinburgh Fringe Festival; the indie feature Those of Us Left Behind with Walter Bros Pictures; multiple collaborations with Wide Awake Films, including the Escape of John Doy, which is streaming on CuriosityStream; her various regional premieres including: Ellen Clarke in the Belfast Girls by Jackie McCarrick (Fishtank Theatre, dir. Heidi Van), and Robot in Lindsay Adam's Her Own Devices (Kansas City Public Theatre, dir. Elizabeth Bettendorf Bowman); and being part of the ensemble of the devised Butoh show Scream in Blue (dir. Logan Black, Kansas City Fringe Festival). In NYC, she has performed at the following venues: The Tank, Bechdel Project, Access Theatre, Episcopal Actor's Guild, The Muse, CirqueHaus, House of Yes, STREB, The Deep End, and
She also continues to write and producer her own work, including her play Mirrors, which has had several staged workshop productions including with NY Theatre Festival and Kansas City Public Theatre, and was nominated for The Pitch's Best of Kansas City 2020. Her short film Expectations was selected for various festivals, won Best Cinematography with Toronto Feedback Female Film Festival. And, she created, choreographed, and filmed her own aerial silks act, Season 2: Episode 3, which has also screened at select film festivals, including the New Ohio Theatre's NYC Indie Theatre Film Festival (where Expectations screened the following year).
Her movement training includes biomechanics, Laban, and Alexander Technique methods (AT Motion, Holly Cinnamon). At East 15, she trained with Tracy Collier and Marcin Rudy; and, since devising Scream in Blue at KC Fringe Festival, she has started exploring the world of Butoh dance (Logan Black, Vangeline Theater). She currently trains aerial silks and circus arts at Aerial Arts NYC, OM Factory and CirqueHaus. In Kansas City, she trains with Kelsey Aicher and Circus Scorpius (Great Plains Circus Center).
She is represented for film, commercial, and print in the Kansas City region by Exposure Model and Talent.
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